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The Good, The Bad and The Multiplex, by Mark Kermode
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If blockbusters make money no matter how bad they are, then why not make a good one for a change?
How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years?
Why pay to watch films in cinemas that don't have a projectionist but do have a fast-food stand?
And, in a world where Sex and the City 2 was a hit, what are film critics even for?
Outspoken, opinionated and hilariously funny, The Good, The Bad and The Multiplex is a must for anyone who has ever sat in an undermanned, overpriced cinema and wondered: 'How the hell did things get to be this terrible?'
- Sales Rank: #1176238 in eBooks
- Published on: 2011-09-01
- Released on: 2011-09-01
- Format: Kindle eBook
Review
"Film criticism is rarely as much fun as Kermode."� —Empire on It's Only a Movie
"Breezy, entertaining . . . he's spot on in pretty much all his critical opinions."� —Independent on It's Only a Movie
About the Author
Mark Kermode is a film critic and broadcaster who was named by The Screen Directory as one of the Top Ten Film Critics of All Time. He writes for the Observer and Sight and Sound, is the author of It's Only a Movie and the BFI Film classics�guides The Exorcist and Shawshank Redemption, and his podcasts are downloaded by more than 100,000 people per week.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Cinema's best critic
By Cliff Burns
I don't always agree with Mark Kermode's opinions ("The Exorcist" is the greatest film of all time??!!) but I admire his ability to express himself with passion and intelligence. His reviews are unapologetically personal and biased and his aesthetic wanders all over the place.
What I like most about this latest volume is that Kermode puts the blame for the present sorry state of cinema where it most properly belongs: on the average movie goer.
As long as a substantial number of us are willing to put up with "diminished expectations" and go to films merely for two hours of diversion and entertainment, we will continue to be bombarded with the cinematic offal spewed out by the likes of Michael Bay, Zack Snyder and JJ Abrams. Directors with no respect for the power of film, the legacy of past masters. And truly brilliant talents like Mike Leigh and Ken Loach will struggle to find a mainstream audience for their magnificent offerings.
It's a sad state of affairs but at least we have voices like Mark Kermode's out there, insisting that we can do better and demanding that we at least TRY.
3 of 3 people found the following review helpful.
A must for Kermode fans
By Amazon Customer
For any regular listeners to Kermode and Mayo's podcast this should be considered a must read. In it, Mark sets out the articles of his faith, with sermons on topics including his current b�te noire: 3D.
For Kindle users: the Kindle edition for this book was a great improvement over the Kindle edition of Mark's earlier book.
4 of 5 people found the following review helpful.
The Good, the Bad and Chapter 6
By C Watkins
I bought this because (ready for a shock?) I quite enjoy listening to Mark Kermode ranting on BBC radio from time to time. I hadn't read his previous work, and was hoping for a translation of his spoken criticisms to the written page (or Kindle, in my case).
I generally enjoyed the work as it was pretty much what I was expecting - radio-Mark on the the printed page. However I did finish the book *slightly* disappointed - with the editing - and as a result the book was merely Good when it should have been Great.
Kermode's rants were all there - agree or disagree with them they are compelling reading, and you can't beat a *passionate* critic. The problems I found were two fold. Firstly, I started to notice a niggly habit in the writing where the author would refer to his previous book simply by saying 'see previous book'. Not wildly helpful for me, as I hadn't read it - but hardly a world-ending problem. The real problem lay in the contrast between this, and his increasing habit of restating in later chapters points he had made quite adequately in previous ones. I found myself muttering at the page 'Yes, I KNOW that's what you said in the last chapter - I just READ the last chapter - how do you think I got to THIS chapter?' whenever he did this, whereas when he said simply 'see last book' with no further explanation I was ranting that 'I *can't* see the last book - I didn't *read* the last book - what am I, telepathic?'. This kind of inverted referencing persisted through the whole book, and whilst it is tempting to blame the author I think the editor should have taken a stronger hand here.
My feelings about the editing were compounded by Chapter 6. Chapter 6 FELT like it was just a long list of non-English language horror flicks that Mark really liked in the original (subtitled) version, followed by a list of the English language remakes that were rubbish (in his view). I think he made his point early on, and to keep repeating it, and to keep on at the same genre became tedious. How about foreign action/romance/thriller/period/sci-fi etc. genre films? How about making a counter point and looking at foreign language versions of English language tales, to see if non-English/American film producers are better at the remake than Hollywood? Chapter 6 - unfortunately the last full chapter - just got stuck for me - and again I have to blame the editor. Up to this point it was a 5 star book. Afterwards - well that chapter on it's own just dragged and dragged. In retrospect, it feels like a book comprising 6 long articles, and the editor didnt have the heart to cut down chapter 6 because it would have made the work lopsided.
Now, I recognise I've focussed on the negative here - so to be fair most of the book is a good old romp through Kermode's rabid (and encyclopaedic) mind - and was entirely delightful. Just read his other book first (to find out about the references - and tell me what they all meant) and skip chapter 6. Oh, and have a word with the editor, someone. . .
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