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The Screenwriter's Roadmap: 21 Ways to Jumpstart Your Story, by Neil Landau
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The screenwriter's GPS for writing a great screenplay!
Avoid the wrong turns, dead ends, gaping p(l)otholes, and other obstacles commonly encountered when writing a screenplay. The Screenwriter's Roadmap: 21 Ways to Jumpstart Your Story keeps you on route and helps you reach your final destination: a completed screenplay that's full of surprises, emotionally resonant, and ready for the marketplace.
Neil Landau, an established Hollywood screenwriter and script doctor, provides 21 questions for you to ask yourself as you write, to help you nail down your screenplay's story structure, deepen its character arcs, bolster stakes, heighten suspense, and diagnose and repair its potential weaknesses. These 21 vital questions have been field-tested and utilized in the creation of some of Hollywood's biggest blockbusters and critically acclaimed films. Each chapter is augmented by end of chapter "homework" assignments, examples from recent blockbusters and timeless classic films, as well as interviews with some of Hollywood's most successful screenwriters including Scott Z. Burns (Contagion), Tony Gilroy (The Bourne Legacy), Laeta Kalogridis (Shutter Island), David Koepp (Spider Man), Jeff Nathanson (Catch Me If You Can), Eric Roth (Extremely Loud & Incredibly Close), David S. Goyer (The Dark Knight Rises), , Billy Ray (The Hunger Games), Melissa Rosenberg (the Twilight trilogy), Sheldon Turner (Up in the Air), and many others.
- Sales Rank: #368133 in Books
- Brand: Brand: Focal Press
- Published on: 2012-10-06
- Released on: 2012-11-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .74" w x 6.00" l, 1.00 pounds
- Binding: Paperback
- 328 pages
- Used Book in Good Condition
About the Author
teaches in the MFA in Screenwriting and Producing Programs at both UCLA School of Film & Television and USC School of Cinematic Arts, and is a faculty advisor in the MFA in Writing Program at Goddard College. He also wrote the cult hit "Don't Tell Mom the Babysitter's Dead", among many other credits.
Most helpful customer reviews
5 of 5 people found the following review helpful.
The Straight Path For Screenwriting Students
By Ia Uaro
THE SCREENWITER'S ROADMAP aims to minimize floundering, stumbling and flailing by new screenwriters. Each chapter systematically guides screenwriting students on a specific topic, and continues with a relevant interview of this topic's expert to help readers envision the scope. An assignment is given to allow readers explore the viability of the suggested ideas.
An experienced professor in screenwriting with many successful screenplays to his name, Neil Landau states on the outset that there is no absolute formula when it comes to writing a successful screenplay. This is illustrated by the differing responses of the successful screenwriters he interviews. Landau's questions are incisive and straightforward, yet at times he receives lengthy roundabout replies.
Simplistic readers may object to the full quotes in several interviews and wonder why they have not been simplified. The truth, I conclude, is that simplistic people have no business screenwriting. There are various aspects and layers you need to look into and must never neglect or belittle. Brilliance, I see, is a prerequisite. And brilliant students will have no problems discerning these experts' answers, which, in the first place, are there not because Mr. Landau is not in a position to edit direct quotes, but because they are necessary. I found them not only helpful, but enjoyable, in fact. You get to look into various heads and learn how the fascinating minds work, while at the same time see these admirable individuals for the persons they are. For me, this is a delightful bonus.
The human aspects, intriguing insights, and tips from real-life experiences are parts that no reader will ever find when they google Screenwriting 101. THE SCREENWRITER'S ROADMAP is unique and is so much more than your usual lessons in writing techniques, which, here, are easy to follow and clearly outlined in details. You can easily see that Mr. Landau is a brilliant writer and an experienced teacher. He is also connected to many successful personage in the film industry, 21 of whom contribute wealth of knowledge and tips into this treatise.
Will following the book's 21 chapters jumpstart new screenwriters to the expert level? Not overnight because that requires practice, and Mr Landau has challenged them to write what they most fear. However, the mapped road is certain to take them there along the straight path.
3 of 3 people found the following review helpful.
A GREAT WAY TO SAVE YOUR SCRIPT
By Robert F Kotecki
THE SCREENWRITER'S ROADMAP offers great perspectives from the top scribes, and a solid step-by-step plan for newbie screenwriters but what makes it so special is its ability to help on draft 2, 5 or 25.
There are loads of exercises and questions to help troubleshoot and look at your story from a fresh angle, when you're already tired of staring at the same scenes. The interviews delve deep into the craft, discussing the headaches of multiple drafts and how MUCH a script will change from initial inspiration to the last on-set rewrite. The book's other asset is its avoidance of formulas and quick fixes. Neil respects the movies that don't play by the rules, and doesn't pretend there's only one right way to tell a story on screen. It's pragmatic without being cynical, and positive without devolving into a pep talk.
Even if you've got a shelf full of screenwriting tomes, it's time to make room for the ROADMAP.
1 of 1 people found the following review helpful.
Not Only for Showrunners
By Paul Chitlik
Neil Landau's very comprehensive new book, "The TV Showrunner's Roadmap," is titled incorrectly: �It should be "The Everything You Need to Know to Write for TV Roadmap." �It's 296 pages jammed with everything a television writer needs to know about writing for television, from the pitch to the supervising of an up and running show.�
Neil lays out 21 steps on how to create and sustain a television series, supporting each one with valuable interviews with some of television's most successful showrunners (the people at the top of the food chain when it comes to running a series). �What was most impressive to me was the depth of research on hundreds of shows, past and present, that Neil uses to support his main points. �In one chapter, there's a chart of most current programs (and that's saying a lot) and how they're broken down into acts. �The amount of time just analysing programs for that fact alone is staggering. �
I have only one criticism of the book and that's its lack for illustrative pictures. �Of course, this is a rights question, and it may have been too expensive to include photos of even one tenth of the shows mentioned. �I'm only hoping that this first edition will be successful enough to enable the publishers to include photos in the next edition.�
As a professor in the Loyola Marymount University's MFA program in writing and producing for television, I'm going to recommend that all of my students read this book. �If you have any thoughts about a career writing for television, I recommend that you read it, too.�
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