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Millions of readers have discovered the magic of David Eddings’ New York Times bestselling series The Belgariad. Now the first three books in this monumental epic appear in a single volume. Here, long-time fans can rediscover the wonder—and the uninitiated can embark upon a thrilling new journey of fantasy and adventure.
It all begins with the theft of the Orb that for so long protected the West from an evil god. As long as the Orb was at Riva, the prophecy went, its people would be safe from this corrupting power. Garion, a simple farm boy, is familiar with the legend of the Orb, but skeptical in matters of magic. Until, through a twist of fate, he learns not only that the story of the Orb is true, but that he must set out on a quest of unparalleled magic and danger to help recover it. For Garion is a child of destiny, and fate itself is leading him far from his home, sweeping him irrevocably toward a distant tower—and a cataclysmic confrontation with a master of the darkest magic.
- Sales Rank: #27077 in Books
- Published on: 2002-08-27
- Released on: 2002-08-27
- Original language: English
- Number of items: 1
- Dimensions: 9.17" h x 1.21" w x 6.07" l, 1.45 pounds
- Binding: Paperback
- 656 pages
Review
“Fabulous . . . Eddings has a marvelous storyteller style . . . exceedingly well portrayed and complex people. . . . More! More! More!”
–ANNE MCCAFFREY
From the Inside Flap
Millions of readers have discovered the magic of David Eddings' "New "York Times bestselling series "The Belgariad. Now the first three books in this monumental epic appear in a single volume. Here, long-time fans can rediscover the wonder--and the uninitiated can embark upon a thrilling new journey of fantasy and adventure.
It all begins with the theft of the Orb that for so long protected the West from an evil god. As long as the Orb was at Riva, the prophecy went, its people would be safe from this corrupting power. Garion, a simple farm boy, is familiar with the legend of the Orb, but skeptical in matters of magic. Until, through a twist of fate, he learns not only that the story of the Orb is true, but that he must set out on a quest of unparalleled magic and danger to help recover it. For Garion is a child of destiny, and fate itself is leading him far from his home, sweeping him irrevocably toward a distant tower--and a cataclysmic confrontation with a master of the darkest magic.
About the Author
DAVID EDDINGS published his first novel, High Hunt, in 1973, before turning to the field of fantasy with The Belgariad. He now lives with his wife and collaborator, Leigh, in Nevada. As a writing team, David and Leigh are the authors of The Redemption of Althalus and Regina’s Song.
Most helpful customer reviews
190 of 194 people found the following review helpful.
Story grows as the hero does
By newyork2dallas
The Belgariad is Eddings' first and best fantasy series. First published in the mid-1980s, the Belgariad differed from other fantasy fiction because: (1) it was not based on the elf-dwarf-human creature structure like Lord of the Rings and its various copycats (Terry Brooks, Weis/Hickman, Dennis McKeirnan, etc.); (2) it had mature and defined political systems (including a country that popularly elected its king), international relations and ethnic patterns, unlike even the more mature fantasy offerings of Donaldson (Thomas Covenant) and LeGuin (Earthsea); (3) it had a unique formulation of magic -- the will and the word; and (4) it inverted the purpose of the fantasy quest -- the EVIL ONE sleeps and the heroes seek to prevent his awakening BEFORE he begins his attempt to take over the world (again).
Eddings narrative is sly and occasionally slick -- the characters balance seriousness with humor and the dialogue is often very funny. His world is believable because the political and religious interactions make sense. The best feature of the Belgariad is its relative tonal change -- from reflecting the innocent wide-eyed view of young Garion (the hero, farmboy, of course) in Pawn of Prophecy, the next two books become darker and more serious as Garion begins to realize who he is and what is at stake, and he comes to grips with who his "Aunt Pol" and his "Grandfather" really are.
Eddings' books are also something of a quest story with a travelogue in the world he created -- in the Belgariad he leaves no country untouched in the western continent; in the Mallorean the characters go to every major district in "boundless Mallorea" and his other series (Tamuli, Elenium) are similar.
If they sound repetitive, that's because they are -- Eddings repeats the same formula with some variations in his other series and the various wisecracking and irreverent humor that is refreshing in the first Eddings series you read becomes tiresome and predictable thereafter.
That said, the Belgariad is the first, the most original and probably the best farmboy-saves-the-world quest of the genre.
321 of 341 people found the following review helpful.
Why is it the best?
By Steven Butterfield
I'll tell you why David Eddings' Belgariad and Malloreon series are among the best in fantasy. THEY END. Both series are confined to five books: they have distinct beginnings, expansive middles, and satisfying conclusions. This may sound like an odd thing to praise, but anybody who has waded into (and become hopelessly mired in) Robert Jordan's "Wheel of Time" or Terry Goodkind's "Wizards First Rule" series will know exactly what I'm talking about. Tolkien didn't make us slog through - and this is quite literal, in Jordan's case - tens of thousands of pages of pointless verbosity before bringing his opus to a rousing crescendo, and Eddings...though certainly no master like Tolkien...gives us the same courtesy.
Aside from this most appreciated of gifts, Eddings is also an imaginative and engaging author. Terry Brooks' "Shannara" series, for example, was a barely, thinly, poorly veiled ripoff of Tolkien. Jordan's glacial repetitiveness has caused his once-promising series to run completely out of steam. Goodkind has the same problem. But Eddings keeps things fresh. He also writes some of the most engaging and multi-dimensional characters in fantasy. He writes real growth and dotes loving care on his characters: the changes they undergo through the course of the ten novels of the Belgariad and the Malloreon are believable, understandable, acceptable, rather than visceral and awkward (Terry Goodkind, take note).
All too often, fantasy is given short shrift in serious literary circles. It would do well to remember how much utter trash there is across ALL genres of fiction, not just fantasy, and to accept Eddings' for what he is: a talented and engaging writer. Give these a try.
3 of 3 people found the following review helpful.
After 20 years its still a fantastic read
By Ariel M.
first read this about 20 years ago when I was in middle school. I loved it then. I just picked it back up again recently and feel right back in love with the story and the characters. David Eddings is a wonderful author. And this series is amazing.
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