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The name W. Edwards Deming is synonymous with the most insightful views, ideas, and commentary on management and quality control. Referred to as "the high prophet of quality" by the New York Times, Deming was instrumental in the spectacular rise of Japanese industry after World War II and influenced many of the world's most innovative managers in the ensuing decades. His original ideas led directly to the creation of relationships with suppliers and a plethora of quality initiatives.

Now, with The Essential Deming, Fordham University professor and Deming expert Joyce Orsini draws on a wealth of previously unavailable material to present the legendary thinker's most important management principles in one indispensable volume.

The book is filled with articles, papers, lectures, and notes touching on a wide range of topics, but which focus on Deming's overriding message: quality and operations are all about systems, not individual performance; the system has to be designed so that the worker can perform well.

The Essential Deming reveals Deming's unique insight about:

• How poor management infects an entire organization
• The critical importance of management on producing quality products and services
• Improving management in any company
• The effective management of people--the manager's single most important task
• How to educate workers into critical thinkers
• Ways to preserve statistical integrity while dealing with real-world problems

Fully authorized by the Deming estate and published in cooperation with The W. Edwards Deming Institute, The Essential Deming is the first book to distill Deming's life's worth of thinking and writing into a single source. Orsini provides expert commentary throughout, delivering a powerful, practical guide to superior management. With The Essential Deming, you have the rationale, insight, and best practices you need to transform your organization.

"To move from the wilderness of news into the paths of history, we must distinguish true turning points from mistaken ones. W. Edwards Deming has seen the future and it works. He is a turning point of business history made flesh." -- U.S. NEWS & WORLD REPORT

"I engaged Dr. Deming to assist Ford in planning, developing, and implementing the plans to accomplish major improvement in the way people worked together and in the quality of our products. . . . Ford achieved major success in this effort, and I consider Ed Deming to have been a key element in our progress." -- DONALD E. PETERSEN, former Chairman of the Board and Chief Executive Officer, Ford Motor Company

"It can be said of very few that they changed the way the world thinks, but Dr. Deming is among them. . . . The legacy of Dr. Deming's genius, already immense, grows even larger with this new collection of his thoughts." -- DONALD M. BERWICK , Senior Fellow, Center for American Progress

"Toyota Motor Corporation was awarded a Deming Prize in 1965. This laid the foundations for the present growth of our company. I do believe the ideas and theories of Dr. Deming emphasizing the importance of quality control are very useful for people of all ages." -- TATSURO TOYODA, Senior Advisor, Toyota Motor Corporation

"Few rival W. Edwards Deming for impact on management in the twentieth century. Indeed, Deming and Drucker, to my mind, stand apart for the breadth and depth of their vision for management as a profession that truly might help realize the possibility of people working together at their best. . . . The publication of this expansive edition of Deming in Deming's own words is a seminal event." -- PETER M. SENGE, MIT and the Society for Organizational Learning

• Sales Rank: #66650 in Books
• Brand: Brand: McGraw-Hill
• Published on: 2012-12-11
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.30" w x 6.10" l, 1.35 pounds
• Binding: Hardcover
• 336 pages

Features

• Used Book in Good Condition

About the Author

JOYCE NILSSON ORSINI, PhD, is an associate professor of management systems at Fordham University, the director of Fordham's Deming Scholars MBA program, and president of The W. Edwards Deming Institute.

Most helpful customer reviews

19 of 19 people found the following review helpful.
Deming's work is a 5 star ... this ... not so much
By MAC
I suppose I could be labeled a purist, but I think in this case it's being more realistic. I've been a Deming disciple since reading Out of the Crisis. I also had the opportunity to attend one of his sessions as a young supervisor. Make no mistake, I am a huge fan of Deming. Much more than any other management/business reading material, Out of the Crisis had the biggest impact on my personal style of leading and managing.

That said, I had a lot of trouble with this book. By her own admission in the preface, the book was edited with a "heavier hand." Orsini goes on to state "the book contains very few complete articles." As a result, I found this book to ramble. The thoughts struck me as disjointed and the flow was awkward between articles. In the Kindle edition, the index takes up 15% of the book.

My suggestion is to read the original work of W Edwards Deming. Start with Out of the Crisis and grow from there ...

9 of 11 people found the following review helpful.
This book adds richness to the management aspect of Deming's work
By Kelly Allan
I believe The Essential Deming is so valuable that i took the time to write a detailed review on [...] in the Deming Files collection of articles published under the auspices of The W. Edwards Deming Institute. Here is the link:

[...]

You will want to have this book in your library, because with this book Dr. Joyce Nilsson Orsini has given us a great gift. She has provided us with previously unpublished or little known excerpts of the writings and presentations of Dr. W. Edwards Deming.

Via its wide-ranging topics THE ESSENTIAL DEMING provides an excellent bridge to the next level of Deming's insights; we get to look up from our daily work and see the bigger picture. Much to this reader's delight, it is an enlivening picture.

Dr. Deming, of course, changed the world. Changed the way the business, industrial, and service delivery worlds thought about -and achieved quality. But the revolution in quality was only one of Deming's contributions. He also pioneered statistical methods. And, late in his life, he developed a method by which organizations could be managed for greater effectiveness, efficiency, quality, and humaneness. "Create pride and joy in work," is one of his most famous sayings.

Deming's insights on improved ways of managing for success are compelling--and most people don't know they exist. In this book Deming/Orsini provide specific and clarifying statements about the specific attributes of a manager. And just as with other of Deming's insights, organizations that apply the management teachings as soon as they can will gain competitive advantage and leap ahead.

Powerful.

11 of 14 people found the following review helpful.
The Essential Deming
By PTurner
This book is a captivating collection of writings and speeches which covers the broad spectrum of Deming's expertise and knowledge. It includes letters to corporate CEOs about how to bring quality into their companies, and articles about business, quality, education, consumers, marketing, management, statistics, knowledge and systems. Some of the ideas expressed are conveyed in Deming's earlier books; however, there is plenty of additional and new material to warrant a thorough read of this book. One speech talks about the blandness of stories in books for children, so much so that children go to sleep reading them. Orsini adds fascinating insight into many of the entries with comments about the context and circumstance under which the papers appeared. This is a must read for anyone serious about business and management.

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[R604.Ebook] Ebook Free Trinity Rising (The Wild Hunt), by Elspeth Cooper

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Gair's battle has only just begun, and yet his heart has already been lost. As he struggles with a crippling grief, still outwardly functional but inwardly torn into pieces, he sleepwalks into a situation that's greater and more deadly than he or Alderan ever anticipated. A storm of unrest is spreading across the land and they are going to be caught up in it - at a moment when Gair's hold on his magic, his greatest defence and most valuable tool, is starting to slip ...He is not alone in noticing the growing unrest and sensing something darker looming behind it. Beyond the mountains, in the bitterly cold north, Teia has seen the signs as well. After hundreds of years of peace her people are talking of a risky invasion to reclaim their ancestral lands ...her Speaker claims the gods are on their side, but Teia fears another, hidden hand of stirring her people up. Whatever the truth, all she can see in her future is blood, battle and death. If she could only see a way to avert that fate. But how can men be convinced to fight, when they have no idea they are part of a war ...?

• Sales Rank: #3627375 in Books
• Published on: 2012-07-26
• Original language: English
• Number of items: 1
• Dimensions: 9.49" h x 1.65" w x 6.30" l, .0 pounds
• Binding: Hardcover
• 496 pages

Review

“This series has the potential to rival George R. R. Martin's A Song of Ice and Fire and should enjoy a wide readership of young adult as well as adult fans of epic fantasy.” ―Library Journal, starred review on Songs of the Earth

“This is an engaging first installment from a new author.” ―Booklist on Songs of the Earth

“The story flows effortlessly with strong characterization and authorial voice. Fantasy fans will enjoy this debut and look forward to seeing Cooper develop her skills.” ―Publishers Weekly on Songs of the Earth

About the Author
Elspeth Cooper is an exceptional writer. Born and raised in Newcastle-Upon-Tyne, she has always been fascinated by the magic of words and it was inevitable that she would come to write magical fiction of her own.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Trinity Rising: The Wild Hunt Book 2 - Elspeth Cooper
By Jan Butterworth
Trinity Rising: The Wild Hunt Book 2

Elspeth Cooper

Orion

Set party during the time of Songs of the Earth and partly after the battle, Savin and his manipulations are exposed, showing the why of the first book. Teia is introduced and her life as a member of the Clans is shown. She can scry - seeing the future, though she keeps this talent hidden, fearful she will be given to the Speaker, as all female talents are. Growing uneasy about the Speaker's desire for war, she embarks on a perilous journey.

Gair and Alderan depart on a quest to find the bitterseeds the Knights hid. Burning for revenge against Savin for Aysha's death, Gair is reluctant to go but promised Alderan to obey him. His Song is also failing and the Cultists are rising. The Church is manipulating away and Duncan is trying to save the Empire. The Wild Hunt is being set loose........

Exciting and fast-paced, this story has a tightly woven plot, vivid descriptions, and strong characters. You feel as though you're there and seeing what the characters are seeing. It's easy to get caught up in the story and I'm waiting with bated breath for book 3 of The Wild Hunt. Requiring a lot of concentration to remember events, as the story shifts between different people and perspectives, this can be read as a standalone. I bet you'll be hooked and need the next in the series though, especially after the cliff hanger ending.

2 of 2 people found the following review helpful.
Borrowed too blatantly from the Wheel of Time
By up down charm
Readers should know that parts of this book are written in parallel with the first book of the series (the same events told from another character's perspective).

I also found it distracting how much of this book was borrowed from Robert Jordan's Wheel of Time series. Cooper made many changes in the elements she borrowed, but the specific details she kept were enough to jar me out of the story while I was reading it. For instance, she brought the Aiel into the story, complete with their history and a Wise One in each band. She sometimes also uses the same imagery as Jordan to describe use of the power. This isn't a problem if you haven't read the Wheel of Time, and I think Cooper does a good job of borrowing while making significant changes and making these elements her own.

On a final note, Elspeth Cooper uses a predilection for rough sex as a trait to vilify the bad guys. Way to perpetuate sex negativity.

1 of 1 people found the following review helpful.
Not a bad book two, but not an exceptional one
By Clay Kallam
Elspeth Cooper in is book two of her series, The Wild Hunt, and “Trinity Rising” (Tor, $25.99, 488 pages), and not surprisingly, there’s no synopsis, and even worse, no map. Cooper constantly refers to geography, and her characters are wildly scattered on a pre-industrial world with magic, but the effort to sort out who is where and how close they are to someone else is not only frustrating, but unnecessary.

And Cooper is a relative newcomer to the writing biz, so she doesn’t quite have the finesse of other veterans, especially when it comes to villains. (A quality villain is the key to any good-vs.-evil tale, as “Trinity Rising” is, and making the villain more than just a cardboard cutout who tears the wings off of flies just for the fun of it is a lot harder than creating a sympathetic and believable hero.)

Still, The Wild Hunt is a promising series, and with two more books to go, Cooper should become more and more assured – and maybe even will include a map.

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[Z938.Ebook] PDF Download Being German, Becoming Muslim: Race, Religion, and Conversion in the New Europe (Princeton Studies in Muslim Politics)

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• Published on: 1609
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Appropriate for courses in Production Planning and Inventory Control. This example-driven text covers the basics of manufacturing planning and control with the needs of the modern manufacturing organization in mind. In describing how to utilize the manufacturing resources of an organization in the most efficient and effective ways possible, the Second Edition examines both traditional topics and important new concepts.

• Sales Rank: #2729947 in Books
• Published on: 1994-11-17
• Format: Facsimile
• Original language: English
• Number of items: 1
• Dimensions: 1.27" h x 7.26" w x 9.59" l, 2.63 pounds
• Binding: Hardcover
• 752 pages

From the Publisher
This example-driven text covers the basics of manufacturing planning and control with the needs of the modern manufacturing organization in mind. In describing how to utilize the manufacturing resources of an organization in the most efficient and effective ways possible, the Second Edition examines both traditional topics and important new concepts.

From the Back Cover
Key Benefit:This example-driven book covers the basics of manufacturing planning and control with the needs of the modern manufacturing organization in mind. In describing how to utilize the manufacturing resources of an organization in the most efficient and effective ways possible, the Second Edition examines both traditional topics and important new concepts. Key Topics: Covers traditional topics, including: forecasting, inventory management, aggregate planning,master production planning, material requirements planning, capacity planning and control,job shop production activity planning, and scheduling and control as well as important new topics, like:total quality management, manufacturing strategy, theory of constraints, and technology and innovation management. Market: Appropriate for people interested in production planning and inventory control.

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[V127.Ebook] Get Free Ebook Pulmonary Vein Recordings: A Practical Guide to the Mapping and Ablation of Atrial Fibrillation, by Laurent Macle, Rukshen Weerasooriya, J

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Pulmonary Vein Recordings: A Practical Guide to the Mapping and Ablation of Atrial Fibrillation is an essential reference for electrophysiologists, fellows-in-training, and all those involved in the mapping and ablation of atrial fibrillation. Extensively illustrated with annotated multichannel tracings, this revised and updated edition adds 30 new tracings that illustrate important practical points and useful tips that will facilitate the interpretation of electrogram recordings obtained by circumferential mapping, leading to successful pulmonary vein isolation. PV electrograms from rare and interesting cases are also included.

• Sales Rank: #2001478 in Books
• Published on: 2014-05-01
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .60" w x 8.40" l, 1.50 pounds
• Binding: Paperback
• 240 pages

About the Author
Laurent Macle, MD Montr�al Heart Institute, Montr�al, Canada, Universit� de Montr�al

Rukshen Weerasooriya, MBBS Royal Perth Hospital and Hollywood Private Hospital, Perth, Western Australia, University of Western Australia

Jason Andrade, MD Montreal Heart Institute, Montreal, Canada, Universit� de Montr�al,Vancouver General Hospital, Vancouver, Canada University of British Columbia

Christophe Scav�e, MD Cliniques Universitaires Saint-Luc, Brussels, Belgium, Universit� Catholique de Louvain

Pierre Ja�s, MD H�pital Cardiologique du Haut-L�v�que, Bordeaux-Pessac, France, Universit� Victor Segalen-Bordeaux 2

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[W795.Ebook] PDF Ebook White Is for Magic (Stolarz Series), by Laurie Faria Stolarz

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A year has passed since Stacey Brown saved her best friend from a horrible death. Now she's having nightmares again, haunted by ghosts of the brutally murdered . . . and by a crazed stalker. As she desperately casts healing spells, a new student named Jacob enters her world. Beautiful and mysterious, he reveals that he is also having dreams. To stop a killer, they must join together. But can Jacob be trusted? Or will this new love cause her darkest dreams to come true?Don't miss a single book in the series:Blue is for NightmaresWhite is for MagicSilver is for SecretsRed is for Remembrance

• Sales Rank: #386559 in Books
• Brand: Llewellyn Publications
• Published on: 2004-05-08
• Original language: English
• Number of items: 1
• Dimensions: 8.02" h x .86" w x 5.26" l, .67 pounds
• Binding: Paperback
• 301 pages

Features

• Great product!

About the Author

Laurie Faria Stolarz (Massachusetts) has a great interest in teen culture, and admires young adults for their passion, energy, and creativity. Blue is for Nightmares is the product of her desire to write a novel that would have appealed to herself at that age, namely one that has a blending of suspense, romance, and the art of keeping secrets.

Stolarz has an MFA in Creative Writing with a concentration in Young Adult Literature from Emerson College in Boston. She currently teaches writing and is a member of the SCBWI as well as several professional writing groups.

Excerpt. � Reprinted by permission. All rights reserved.

One


It's happening again.

The bile at the back of my throat burns. I swallow it down and wipe my bottom lip. My head feels like it's cracking open, like an archeologist is trapped inside, chipping away at the bones of my skull. I lean back against the cold ceramic wall tiles and try to hold it all together-the puking, the headaches, the nightmares, my sanity.

My world is falling apart. I stand up from the toilet and stumble over to the mirror. My eyes are red, the skin beneath them a dark, smoky color. I reknot my hair with a rubber band, noticing my chin-wet from puke spooge. I wipe the goo with my fingers as best I can and tuck the stray strands of dark hair behind my ears. What I really need right now is a hot bath, but the knocking in my head is so intense I want nothing more than to just lie down.

After a thorough toothbrushing and several gargles of mouthwash, I stagger my way back through the common area and into the room. Drea and Amber, my roommates, are asleep. I know I could wake them up, that they'd want to know what's going on-especially after last time-but I almost don't even want to know myself. Not tonight, anyway. I grab a lipstick from Drea's vanity table and the notepad from beside my bed. I flip the notepad open to a fresh sheet and write the letter M across it in the dark-red lipstick, trying my best to make it look smudged, messy-the way it did in my nightmare.

I rip the page free of the pad and stuff it into the pocket of my pajamas. Then I lie back on my bed and pull the covers up over my ears to block out Amber's snoring. But I still feel sick, the juices in my stomach churning away, bubbling up like molten lava. There's only one way I'm going to get any rest tonight.

From my spell drawer, a.k.a. the bottom drawer of my dresser, I pull out a stick of incense, a virgin black candle, a razor blade, and some other assorted spell supplies, includ- ing a bunch of red grapes courtesy of Drea's mini-fridge. I collect it all inside my terra-cotta pot and stand up to leave. Except my head is throbbing. I sit back down and peek over at Amber and Drea, in their bunkbeds, the light of the waxing moon casting a shadow over Amber on the top bunk. She turns over, but she's still snoring-her mouth arched open, chest heaving, six cherry-red ponytails sticking out from her head. Drea moves her forearm up over her ear in response, her golden-blond hair separated into two perfectly frumpled braids.

I wonder if I should even bother telling them anything. If maybe I'm just overreacting. It's only happened twice now. And Maura's birthday is a week from Saturday. So, maybe that's what's causing it. Or maybe I'm just coming down with the flu.

The terra-cotta pot tucked under my arm, I grab a pocket flashlight from the drawer and make my way out of the room and through the common area. The door to the boiler room is just out in the lobby.

I travel down the dusty wooden steps using the slender beam of the flashlight to guide my way. I know I could flip on the light switch, but the sudden blast of artificial light would only make my head pound more. Instead, I try to make peace with the darkness; I try to imagine it like crushed velvet, enveloping my skin, inviting me further down the creaking stairs and into the boiler room.

It smells musty down here, like leaking pipes. I try to focus on my breath, but for some reason I'm feeling a bit disconnected. Maybe it's because I don't feel well. Or maybe it's because it's been a year since my last bout of nightmares, and a part of me is afraid that, this time, I won't be able to stop it.

I take a deep breath and make my way across the cement floor. There isn't much down here-an old and rattling boiler, a rusty water tank, dorm room furniture in need of repair, and lots of copper pipes that travel along the ceiling. But it's a place where I can be alone, where I don't have to worry about being interrupted or waking anyone up.

I set my supplies down on the altar I've set up-an old computer desk with a crack down the middle-and light the stick of incense. I start with the bunch of grapes. I pass it through the incense smoke, making sure it gets fully bathed in the lavender fumes. I continue charging all the ingredients, concentrating on the long, gray swirls that rise up and wash over my skin, focusing on lavender's ability to soothe.

My stomach gurgles impatiently. I dab my finger with a bit of the oil and touch the top end of the virgin black candle. "As above," I say. Then I touch the bottom, "So below." I touch the center, drag my finger upward, and then run it back down, continuing to moisten the candle's length. When the candle is fully anointed, I hold it around the base and, with the razor, carve Maura's name into the wax surface, my fingers shaking slightly from the mere thought of her.

Of what happened.

Of what this all might mean.

I rotate the candle counterclockwise three times, focusing on the idea of riddance, and carve the words "rest in peace" on the opposite side from her name-so the guilt will die from my conscience once and for all. I light the candle and watch a few seconds as the inky black wax heats up and begins to pool around the wick. Then I take the slip of paper from my pocket and stare down at the M-M for Maura, for Murder, maybe. I really don't know.

I toss it into the terra-cotta pot and then pluck the grapes from their stems. "Maura, Maura, rest in peace," I whisper. "May your haunting spirit finally cease." I toss the grapes into the pot, mash them down with my thumb, and picture the contents of my stomach churning and mixing as the purpley pulp juice smooshes against the tips of my fingers. I chase the grapes with several splashes of peppermint oil, and then mix it all up with my fingers, the minty, candycane scent mingling with the breath of lavender, overpowering the smell of grape juice.

"Maura, Maura, rest at last," I whisper. "You shall not make me repeat the past." I chant the words over and over again, concentrating on the black candle as it begins to burn Maura away. I concentrate on the mint coating my stomach, soaking up the grape.

After meditating on the spell for several minutes, I hold my watch up to the candlelight-it's 4:05. I'll take the candle back to my room and set it by my bed so it has time to burn down completely. I smother what's left of the incense, spoon the mint and grape mixture into a plastic sandwich bag, and collect everything inside the pot. Thankfully, I feel my stomach begin to ease. Maybe now I'll be able to get some sleep.

I grab everything and am just about to make my way back upstairs when I hear a banging noise coming from the corner, by the water tank. "Hello?" I stand up, the wheels of my broken chair squeaking back against the cement. I aim the flashlight out in front of me, but the beam is too narrow to see much in the darkness. I take a few steps toward the tank, noticing the window just behind it is open a crack. There's a shifting against the floor, like someone taking a step.

"Hello?" I repeat. "Who's there?" My hands shake. My heart tightens. I try to tell myself that it's probably just someone who forgot her key. Probably someone who decided to sneak in since the resident director locks the door at midnight.

Closer now. The tank is just a few feet away-just out of reach. "Come out NOW!" "Stacey?" says a male voice from behind the tank. "Is that you?"

My mouth trembles open. I don't know that voice. It's not Chad's voice. Not PJ's, either. It doesn't belong to anyone I recognize.

"Stacey?" he repeats. His shadow on the wall moves toward me. I panic. The flashlight tumbles from my grip, the terra-cotta pot slips from under my arm, and I hear it smash against the floor.

I whirl around and run for the stairs. The sudden motion causes the candle flame to flicker out, leaving me in complete darkness. I can hear him behind me, his feet hitting against the cement floor with each stride.

"Wait!" he shouts. His voice is followed by a clanging sound, like maybe he crashed into something. I trip up the stairs, my chin smacking down against the wooden step, wax dripping on my fingers and burning my skin. I grapple my way up, on hands and knees, toward the boiler room door, but I can't quite find the knob. "Don't run away from me, Stacey." His voice is frantic and insistent.

Wrestling up another step, I impale my knee on something sharp. A nail. A splinter maybe. I hear myself whimper. My stomach turns. Bile coats the insides of my mouth. His footsteps are following me up the stairs. I pull my knee back and hear a cracking sound, like wood. I reach up for the doorknob, this time able to wrap my fingers around it. The knob turns but the door won't open, like something is barring it. Like someone wants to trap me inside.


Two


I twist and turn the knob, pound at the door. "Help!" I shout, over and over again. I pivot as best I can and throw the candle-hard-toward his voice. I hear him cry out. I try at the doorknob again. This time it opens. It's Amber; she's let me out. I whip the door closed behind us and grab Amber by the arm.

When we get back to the room the lights are on and Drea is sitting up in bed. "Are you guys all right?" But I'm breathing so hard, my heart pounding like a fist, that I can't answer.

"Stacey's gone completely whacked," Amber says, closing and locking the door behind us. "I found her Nightmare- on-Elm-Streeting in the boiler room. Maybe slasher flicks are not such a nifty idea before bed." "What are you talking about?" Drea asks. "A guy," I say, gaining my breath. "There was some guy down there."

"Who? Freddie Krueger?" Amber giggles. "No," I say. "I'm serious. I don't know who it was. They locked me down there somehow. I was trapped."

"Wait," Drea says. "Start over. What happened?"

"This is what trapped you," Amber says. She plucks a big fat pencil from her pajama pocket. "It was wedged underneath the door. Probably got kicked there by accident." "I'm gonna call Keegan," I say.

Keegan is the resident director in charge of our dorm. She's basically this granola-and-yogurt-eating, Birkenstockwearing throwback from the sixties, complete with yoga mat and tie-dye apparel. But she is a huge improvement over Madame Discharge, the resident director for the underclasswomen dorms.

I pick up the phone, but Amber nabs it and clicks it off before I can dial.

"You're not gonna go all schoolmarm on us, are you?" She holds the phone behind her back.

"What's that supposed to mean?"

"Think about it." Amber twirls one of her mini-ponytails in thought. "It was probably just somebody's juicey downstairs-you know, sneaking in for some cuddle. Wouldn't you be upset if Chad was sneaking in to ladle with you, and someone ratted him out?"

"Don't you mean spoon?" Drea asks.

"Not the way I do it." Amber arches her eyebrows up and down.

"Give me the phone NOW!" I insist.

"Why are you being all wiggy? The boiler room is where everybody sneaks in-guys, guests after midnight, people carrying curious liquids," Amber smiles. "Why ruin everybody's fun by finking to the RD?"

"Maybe I just don't think people should be sneaking in," I say. "Or locking people down in a basement."

"Are you kidding?" Amber says. "One of the benefits of the senior houses is that people can sneak in. Plus, you were penciled in, not locked in. And it was purely an accident." "He didn't try to attack you or anything, did he?" Drea interrupts. "Wait-what happened to your knee?"

I look down. My pajamas are ripped; there's a giant splinter sticking out through the belly of one of the gingerbread- cookie men patterned across the flannel fabric. But my fingers hurt just as much; there are bits of wax caked to the skin. I break one of the leaves off the aloe plant by the window. The clear, syrupy goo oozes from inside the thick, green plant flesh; I apply the goo to the hardened wax droplets to help soothe the burn.

"What the hell happened to you?" Drea moves toward the edge of the bed, her perfectly toned, tanning-bed legs sticking out from a school T-shirt, the giant Hillcrest letters stretched across her chest. She stares at my waxy fingers. "Candle wax," I say. "My candle blew out when I started running."

"You know, Stacey," Amber begins, "your primitive living thing does have its charm, but modern electricity is way cooler."

Amber's sarcasm spares me the trouble of explaining my knee.

"Maybe we should call someone to look around a bit," Drea says. "Just to be sure."

Amber tosses me the phone. "Go ahead if you want, but it was probably just some prank. You know, some Michael- Meyers wannabe, inspired by tonight's horror movie marathon. I don't know what Student Activities was thinking, especially considering we're coming up on the one-year anniversary. Case in point." Amber pulls an envelope from the pocket of her pajamas. It has my name, Stacey Brown, written across the front.

"Not again." Drea rolls her eyes and sinks back in her bed.

"Someone slid it under our door tonight," Amber says, tearing at the seal. "One of the ghost groupies, no doubt." She unfolds the paper and reads the message aloud: "Five days till death."

"Great," I say.

"Oh, and someone's drawn a cute little knife here beside your name." Amber flashes me the ink sketch.

"How is a knife cute?" Drea asks.

"It has a curly handle." Amber points out the stylish detail. "See what I mean? This stupid school is full of immature urchins with nothing better to do."

It's true we've had our share of pranks this year-phone calls, "I'M WATCHING YOU!" notes stuffed in our mailboxes, the occasional hockey mask or pool of ketchup blood left outside our door or window. All because of last year.

Last year, I was having nightmares-nightmares that turned out to be premonitions, forewarning me that Drea was going to be killed. And then all this stuff started happening. Drea was getting these weird phone calls from some guy who wouldn't tell her his name. And then she started getting these notes and packages, telling her he was coming for her. In the end we were able to save Drea from Donovan, a guy she had known since the third grade, a guy we all knew as the one who would be crushing on her until the day he died. Of course, he wasn't the one who ended up dead.

That was Veronica Leeman.




Despite Amber's efforts to convince me that the incidentdown in the boiler room was just another prank, I call Keegan anyway and tell her everything that happened, including the part about the window being open a crack but minus the part about the spell. She tells me that she'll check it out and get back to me. I know there's a chance that Amber might be right, but I honestly don't feel that she is. Why else would I be feeling this enormous sense of d�j� vu?

I rub the aloe gel into the burn and, with my other hand, assess the damage to my knee. It's not as bad as it feels. I can see the splinter piece through the skin on my kneecap-a good sign. I grip the part sticking out and pull, watching the splinter move its way toward the puncture spot.

Amber grabs her wallet off the night table and hands it to me. "Here, gnaw down on Scooby. That's what I do when I have to pluck my eyebrows." She feeds the wallet into my mouth before I can object. "From what I can see," Drea runs a finger over one of Amber's eyebrows, "it looks like Scooby hasn't been nibbled in a while."

"Maybe not," Amber says, feeling between her eyebrows for fuzz. "But at least he gets some tongue action." "What's that supposed to mean?"

"If the nun habit fits . . ." Amber flops down atop my bed, knees bent, feet facing in toward one another, making the Porky Pigs of her slippers kiss.

I ignore them as best I can and resume my splinter plucking, trying to keep my hand steady so it comes out in one piece. Despite excess drool, the wallet actually helps, and, with only a few grunts, I'm able to pull the splinter out. Except there's still some dirt left under my skin. I pull a fresh lemon from my spell drawer and cut it in half with a plastic knife. Like my grandmother, who basically taught me everything I know about the art of kitchen witchery, I always keep a healthy supply of spell items on hand. You just never know when you'll need them. Like last week when Drea asked me to help her make a luck sachet for an English exam. Or the week before that when I whipped up a batch of moon soap for Amber's PMS.

My grandmother always used lemons for cuts. She would squeeze the fruit of its juice, allowing the juice to drain into a bowl, add a teaspoon of vanilla extract, mix it up, and then apply the mixture to the wound. I make an attempt to do the same, but it seems I've run out of vanilla. Weird-I could have sworn I still had a full bottle. I dip a rag into the lemon juice anyway and apply it to the wound, hoping it will suffice.

The phone rings a few minutes later. It's Keegan. She tells me she checked out the boiler room and aside from the open window-which she has since closed and locked- everything looks clear, except, she adds, for a broken pot of some sort and a weird candle left behind. I thank her and hang up, feeling somewhat relieved but still uneasy. "Keegan said everything looks okay," I say. "What were you even doing down there?" Drea asks. But I don't feel like explaining my Maura spell. "I just thought I heard something."

I hate having to lie to them, especially after everything they've been through with me. But I just don't want to say anything yet. I have no idea why Maura is, once again, haunting my nightmares. I thought I had closed the book on that. I thought I forgave myself for everything that happened. But maybe I haven't. Maybe somewhere deep inside me there's this rotting place of guilt. Maybe that's why I've been throwing up.

Most helpful customer reviews

7 of 7 people found the following review helpful.
As Good as the First
By Jarrod T Thompson
White is for Magic is a very interesting read. The suspense is superb, and the book is fast-paced. I have no interest in wicca, but the suspense and mystery far outweighs the embedded wicca elements. The main character, Stacey is easy to like and she brings the reader into the story. From there, Laurie Faria Stolarz does the rest by creating an intriguing plot with just the right amount of surprises and twists. The new character, Jacob, adds just enough to make this novel just a little bit more intriguing than Blue is For Nightmares.

If you like suspenseful novels, this book is very satisfying.

Great book. I am starting Silver is for Secrets today.

0 of 0 people found the following review helpful.
A bit of repetition that bothered me a little
By iLeana
I thought the first book was really good, this one is not as good good (just good). It may be that while I read it I felt I had already read this story in the first book. Did they had to kidnapped again the exact same friend that was kidnapped in book 1? That just bodered me. The story felt to easy too come up with. But don't get me wrong; it was a really fun read and I read at any chance I had. Just to give you a hint:
*Stacey and her mom have a heart to heart
*Love triangle again, well this time it looks more like a square
*There's a new guy in school. His name's Jacob and he's magical...

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Excellent series

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