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Any child who can make a stick figure can learn to create funny cartoons—and this enjoyably illustrated guide tells them exactly how. Written by professional cartoonist Art Roche, it gives kids lots of hands-on opportunities to turn their creative ideas into delightfully drawn reality. Roche encourages budding artists to develop a personal vision, rather than trace or copy someone else's style; he also includes plenty of information that other children's how-to books overlook, including advice on writing jokes, composing panels, and getting published.

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• Sales Rank: #38886 in Books
• Brand: Sterling Publishing
• Published on: 2010-06-01
• Original language: English
• Number of items: 1
• Dimensions: 10.08" h x .36" w x 8.54" l, .93 pounds
• Binding: Paperback
• 112 pages

From School Library Journal
Grade 3-6 -This how-to guide is a step above the average cartooning instruction book. The glossy, full-color pages are visually attractive. The clean layout with colored borders at the top and bottom of every page and bold text headings directs readers' eyes to the text. Roche's engaging writing style is informative and fun. He encourages youngsters to experiment with tools and techniques and, unlike many other such books, does not ask them to learn or mimic a specific style. His loose, spacious cartooning style is perfect for beginners or kids who might be intimidated by more detail-oriented techniques. While the subtitle may not be completely true, this is a wonderful resource for libraries looking to update their cartooning collections.-Steev Baker, Kewaskum Public Library, WI
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Author and cartoonist Art Roche has more than 20 years of experience in cartooning, illustration and entertainment development. He is currently the creative director for Smart Bomb Interactive, a game development company in Utah. Prior to that, he was the creative director for Cartoon Network's new media department and managed all of the entertainment content for websites, online video and mobile platforms. In 2008, Art created the animated series, Nacho Bear for Cartoon Network.

Most helpful customer reviews

70 of 73 people found the following review helpful.
GREAT BLEND OF INSTRUCTION AND INSPIRATION
By J. Kukla
This is unlike any other cartooning book past or present. Too many cooks of this genre show you the standard "draw an oval and a triangle and now you have a duck!" or "draw like I do!" instructions. Art Roche's book teaches kids to think, to imagine, to be funny. Art gives readers the tools to pursue their styles, not his. It's an easy read, full of great illustrations, and humorous examples. Art Roche makes anyone from from 4 to 84 want to pick up a pencil and have fun! Great gift for any kid or kid at heart.

44 of 46 people found the following review helpful.
Sharpen those pencils
By trapink
My 12-year-old picked up this book and devoured it in one sitting, reporting it helped him conquer some of the problems he had encountered as a recreational cartoonist. He especially enjoyed the section devoted to writing.

This is a gorgeous book - hardcover with color on every page. Great art, lively text, and very inspiring - it works as both a "how-to" and personal cartooning cheerleader.

26 of 30 people found the following review helpful.
Art For Kids: The Only Cartooning Book You'll Ever Need to Be tThe Atist You've Always Wanted To Be
By K. Young
Beautiful Book. Purchased for my 9 year old grandaughter as a Christmas Present. She loves to draw and wants to be a cartoonist. I know she will love this book. So easy to understand!

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Art for Kids: Cartooning: The Only Cartooning Book You'll Ever Need to Be the Artist You've Always Wanted to Be, by Art Roche PDF

Art for Kids: Cartooning: The Only Cartooning Book You'll Ever Need to Be the Artist You've Always Wanted to Be, by Art Roche PDF

[U473.Ebook] PDF Ebook The Riddle of Latin America, by Kris Lane, Matthew Restall

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The Riddle of Latin America, by Kris Lane, Matthew Restall

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THE RIDDLE OF LATIN AMERICA explores the promise and paradox of Latin America in a novel way by giving equal weight to the colonial and national periods. This is essential because in Latin America colonialism started early and independence came late. The aim of this book is to provide unfamiliar readers with a more balanced, interpretive view of Latin America's long and complex history by identifying key patterns and trends and tracing them across time and space. Within chapters THE RIDDLE OF LATIN AMERICA takes a regional rather than country-by-country approach, treating, for example, the Greater Caribbean, Mexico and Central America, the Andes, the Southern Cone, and Brazil.

• Sales Rank: #108900 in Books
• Brand: Brand: Cengage Learning
• Published on: 2011-06-20
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.30" l, 1.05 pounds
• Binding: Paperback
• 368 pages

Features

• Used Book in Good Condition

Review
Introduction: The Promise of Latin America Part I: WHEN WORLDS COLLIDE (1450-1550). 1. Native American Trajectories. 2. An Emerging Atlantic World. 3. The Riddle of Conquest. Part II: COLONIAL COMPROMISES (1550-1740). 4. Plunder and Production. 5. The Battle for Orthodoxy. 6. Daily Life in City and Country. Part III: BREAKING AWAY (1740-1850). 7. War and Peace in the Late Colonies. 8. The Wars of Independence. 9. Colonial Continuities in the Early Republics. Part IV: NEW NATIONS AND THEIR CITIZENS (1850-1910). 10. Liberals, Conservatives, and Capitalists. 11. Exports and Underdevelopment. 12. Rural Majorities and Unconquered Frontiers. Part V: REORIENTATIONS AND REACTIONS (1910-2010). 13. Revolution, Reform, and Foreign Intervention. 14. Authoritarianism and its Discontents. 15. Democracy, Urban Life, and Neoliberalism. Conclusion: The Paradox of Latin America.

About the Author
Kris Lane received his B.A. in History and Latin American Studies from the University of Colorado, Boulder, in 1991, and his Ph.D in History from the University of Minnesota in 1996. Lane specializes in Colonial Latin American history, focusing mostly on mining in the Andes Mountains of South America. Lane's books include PILLAGING THE EMPIRE: PIRACY IN THE AMERICAS, 1500-1750 (1998) and QUITO, 1599: CITY & COLONY IN TRANSITION (2002). He also edited Bernardo de Vargas MACHUCA'S INDIAN MILITIA AND DESCRIPTION OF THE INDIES (2008) and DEFENSE OF THE WESTERN CONQUESTS (2009). Lane has also published articles on piracy, slavery, gold mining, headhunting, and witchcraft in colonial Ecuador and Colombia. His new book, COLOR OF PARADISE: COLOMBIAN EMERALDS IN THE AGE OF GUNPOWDER EMPIRES, is due out in 2010.

Matthew Restall is the Edwin Erle Sparks Professor of Colonial Latin American History, Anthropology and Women's Studies at Penn State University at University Park. He is also the co-director of "LiLACS" and Director of Latin American Studies, a member of the Committee for Early Modern Studies, the editor of "Ethnohistory Journal", and the series editor for "Latin American Originals". Restall's area of specialization resides in colonial Yucatan, Mexico, Maya history, the Spanish Conquest, and Africans in Spanish America. During the 1990s, his research focused on studying the Mayas of Yucatan through sources written in the Yucatec Maya language between the sixteenth and nineteenth centuries--this work culminated in THE MAYA WORLD (1997) and MAYA CONQUISTADOR (1998). His research on the Conquest has been published as SEVEN MYTHS OF THE SPANISH CONQUEST (2003), and Invading Guatemala (2007). More recently, he received NEH and Guggenheim fellowships to study people of African descent in Mexico and Yucatan, and his book, THE BLACK MIDDLE: AFRICANS, MAYAS, AND SPANIARDS IN COLONIAL YUCATAN published in June of 2009.

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0 of 0 people found the following review helpful.
Four Stars
By L_K
Condition as described. Thank you!

0 of 0 people found the following review helpful.
Five Stars
By Michael De Los Santos
Amazing book!

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[R858.Ebook] Get Free Ebook A Clockwork Orange, by Anthony Burgess

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The�only�American edition of the cult classic novel.

A vicious fifteen-year-old "droog" is the central character of this 1963 classic, whose stark terror was captured in Stanley Kubrick's magnificent film of the same title. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alex to "redeem" him the novel asks, "At what cost?" This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."

• Sales Rank: #2172217 in Books
• Published on: 2005-01-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.00" w x .75" l,
• Binding: Hardcover
• 185 pages

From Booklist
*Starred Review* It may be a sign of a great work that it can be misinterpreted by detractors and proponents alike. Contemporary readers who saw Burgess’ 1962 dystopian novel as a celebration of youth violence were as far off base as the teens since then who have thrilled to the transgressive violence it—or, at least, Stanley Kubrick’s film adaptation—depicts. But paradox is at the heart of this book, as this newly restored, fiftieth-anniversary edition makes more clear than ever. Narrated by Alex, a teenage dandy who revels in language (he speaks a slang called Nadsat), music (especially Bach and Beethoven), and violence, especially violence. When imprisoned for murder, he is offered a chance at reform and leaps at it—but the reform turns out to be brainwashing, an aversion therapy that, alas, leaves him able to enjoy neither beatings nor Beethoven. Upon his release he becomes first a victim of his victims, then a cause c�l�bre of antigovernment activists before . . . well, publishers offered different endings to British and American audiences, as readers will discover here. What makes A Clockwork Orange so challenging, besides the language (“He looked a malenky bit poogly when he viddied the four of us”), is Burgess’ willingness to use an unsympathetic protagonist to make his point, which is essentially that it may be better to choose evil than to be forced to be good. (For, as it is put by two different characters: “When a man cannot choose he ceases to be a man.”) Readers can revisit or discover a classic that, while drawing from Aldous Huxley’s Brave New World and Graham Greene’s Brighton Rock, has in turn influenced authors from Irvine Welsh to Suzanne Collins. Extras include a thoughtful introduction by editor Andrew Biswell, reproductions of manuscript pages annotated by Burgess, and a previously unpublished chapter of a book that was to have been called The Clockwork Condition, in which Burgess intended to set the record straight about his intentions now that Kubrick’s film adaptation had made him famous. Readers will learn much, including the meaning behind the book’s title. All in all, a fitting publication of a book that remains just as shocking and thought provoking as ever. --Keir Graff

Review
A gruesomely witty cautionary tale Time Every generation should discover this book Time Out Not only about man's violent nature and his capacity to choose between good and evil. It is about the excitements and intoxicating effects of language Daily Telegraph I do not know of any other writer who has done as much with language...a very funny book --William S. Burroughs One of the cleverest and most original writers of his generation The Times

About the Author
Anthony Burgess was born in Manchester in 1917. He studied English at Manchester University and joined the army in 1940 where he spent six years in the Education Corps. After demobilization, he worked first as a college lecturer in Speech and Drama and then as a grammar-school master before becoming an education officer in the Colonial Service, stationed in Malay and Borneo. In 1959 Burgess was diagnosed with an inoperable brain tumour and decided to become a full-time writer. Despite being given less than a year to live, Burgess went on to write at least a book a year - including A Clockwork Orange (1962), M/F (1971), Man of Nazareth (1979), Earthly Powers (1980) and The Kingdom of the Wicked (1985) - and hundreds of book reviews right up until his death. He was also a prolific composer and produced many full-scale works for orchestra and other media during his lifetime. Anthony Burgess died in 1993.

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4 of 4 people found the following review helpful.
This book was a joy for our group to read
By Amazon Customer
AP LIT SQUAD 2015 -- A Clockwork Orange by Anthony Burgess was an interesting book to read, to say the least. The combination of sex, violence, criminal activity, and teenage drinking makes for an entertaining novel that definitely captures the attention of the reader. Anthony Burgess effectively uses the life of Alex and his droogs, or group of friends, to portray the evil existing in our society, and a failed attempt at reforming the evil out of youth. By incorporating the government into the plot, Burgess writes a thorough, scarily realistic story concerning the evils in our world.

A major aspect of this book was Burgess’s choice to write from Alex’s perspective. Instead of a third-person viewpoint, the author puts us in the criminal’s shoes and lets the reader understand the crime, rape, and thievery from the one leading these delinquencies. This point of view gives the reader a more personal connection to Alex both when he is committing crimes as well as when he is tortured by the treatment. The author also gives us access to Alex’s motives and feelings before, during, and after his jail time and subsequent treatment.

One of the unique characteristics of this book is the constant inclusion of slang – a foreign language spoken by Alex and his gang. Since the book is written from Alex’s perspective, the reader can see how he and his posse communicate in their own semi-foreign language, symbolizing the teenagers’ disconnect from the rest of society. Words such as “droogs,” “moloko,” “horrorshow,” and “viddy” are common language in the book, as this is how Alex and his gang communicate during their criminal actions. Even after his treatment, Alex continues to use this same language, symbolizing the limits of the attempted reformation, as not all of Alex’s past identity could be eradicated.

The controversy regarding this book comes in the conclusion, in which two different versions were published. While the American publishing ended with the twentieth chapter, Burgess intended there to be a twenty-first chapter, as published in the United Kingdom. This controversial twenty-first chapter tells of how Alex is beginning to grow tired of violence, especially when he runs into his old droog Pete who is at this point a married working man. Alex begins to think of a normal life with children of his own, suggesting the possibility of an end to his criminal ways. It is no coincidence that this is Chapter 21, with 21 being an age usually associated with the coming of age and becoming an adult. This final chapter brings into question whether the reforming treatment has a remaining impact on Alex, or if he is beginning to mature, and this character development was inevitable with or without the treatment.

Overall, Anthony Burgess crafted an entertaining, thought-provoking novel in A Clockwork Orange. This book was a joy for our group to read, and its literary merit provides an underlying meaning to the engaging storyline.

2 of 2 people found the following review helpful.
Tough Read because too many "Made up" Words
By Ashley
Was very difficult to navigate through the book since all of the language was created specifically for "Clockwork Orange"....It is literally every other sentence which caused the reading to be very aggravating because I was constantly having to look up (In the Clockwork Orange Dictionary) the meanings...With the "made up" words and British context, It made it very hard to visualize what was actually going on in the book since the author used a different word for face, arms, mouth, boobs, and most everything else. I've heard great things, but was deeply disappointing.

1 of 1 people found the following review helpful.
My Droogie Lies Over The Ocean
By Barbara Moore
As I started reading this book, I felt as if I had made a wrong turn and had found myself in an ethnic neighborhood with which I had no familiarity. I was thinking that perhaps James Joyce had written a sequel to Ullysses under a pseudonym that had come back to haunt me. But as time and words went by I found that I was understanding a language that I had never seen before. I found myself enraged at the the heinous crimes committed by Alex and his droogies, but I also found that I was anxious to find where this would all lead. As I finished A Clockwork Orange, I felt very conflicted by what I had just read. If the book had been written using the King 's English, it certainly would not have been a candidate for the Book of the Month Club. However, as I read the last page, I felt as if I had stopped to eat at an ethic restaurant in this ethnic neighborhood where I ordered my meal from a menu written completely in this bizarre language, but I knew precisely what I wanted to eat.

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[X108.Ebook] Ebook Dietetic Technician, Registered Exam Flashcard Study System: Dietitian Test Practice Questions & Review for the Dietetic Technician, Regist

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• Published on: 1709
• Binding: Cards

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[A379.Ebook] Free PDF Yosemite and Range of Light, by ANSEL ADAMS

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• Sales Rank: #12130360 in Books
• Published on: 1980
• Binding: Hardcover

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1 of 1 people found the following review helpful.
Wonderful Photography
By Clarence B. Bynum
This book does justice to the professionalism
and the expertise of a once in a life time Artist. I
exspected the book would be dull and boring before I
began to view the photography. Mr Adams work is soo
exciting, that some of the photo's make one gasp as you
turn the pages. I never thought of Photography as exciting
until I obtained this book. Ansel Adams deserves every credit
he has recieved and more. He was truly a great professional.
Clarence B. Bynum

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